Selection #7
The Places We Go, The Ways That We Fall Apart
59 mins
Ashes to ashes, person to pulp. In the right light, the sky can fit inside a spoon. Laughing until dead flowers remind us we will not be here one day. We are all our own reflections, an invitation to oblivion, amidst the pulse of regeneration – the sound of planets turning.
The Places We Go, The Ways That We Fall Apart
59 mins Ashes to ashes, person to pulp. In the right light, the sky can fit inside a spoon. Laughing until dead flowers remind us we will not be here one day. We are all our own reflections, an invitation to oblivion, amidst the pulse of regeneration – the sound of planets turning.
Sun 25 Oct
16:30 - 17:30 / ACUD STUDIOJimmy Schaus
Hope Dies Last/Love Gone Again
2019, Spain, S8, col, sound, 6' 30''
A hand-processed Ektachrome travelogue spanning Copenhagen and Bergen. Spontaneously captured images mix with field recordings and synthesizer noodling.
Jorge Suárez-Quiñones Rivas
In Between Solstices (II/II)
2019-20, Spain, Russia, Japan, S8, 21'
A complete circle around the solar year.12 + 1 in-camera-edited Super-8 cartridges gather light imprints along the four seasons, revealing the specificity of each light situation, questioning its reproducibility. "In Between Solstices (II/II)" is the second half of the film project "Twelve Seasonal Films".
Wenhua Shi
Gutai
2019, China/USA, 16mm, col, sound, 7' 30''
Wenhua took on a radical use of single frame image capture and examines his strange and familiar hometown, Wuhan, in China, which he has been away from for nearly two decades. The film title comes from postwar Japanese avant garde artist group Gu-Tai. The kanji ( Chinese) used to write 'gu' means tool, measure, or a way of doing something, while 'tai' means body. The film is the result of intense looking and seeing what might not be there.
Emmanuel Piton
The Blind night
2020, France, S8/16mm, col, sound, 11'
A man seems to be following a quest that hasn't quite found its purpose. Fragments emerge from his memory as if to escape the call of the shadows.
Cherlyn Hsing-Hsin Liu
A Study of Fly
2018, USA, 16mm, col, sound, 13'
A Study of Fly is a reflection on the relationship between insect, human, environment, and the universe. The fly in this film can be approached as a living being, a metaphor for human desire to reach beyond, and a state that demonstrates the capacity to move between the realms of life and death.
SCHEDULE 2020
Thu 22
19:00 / ACUD KUNSTHAUS Festival Opening
20:30 / ACUD STUDIO
Selection #1
What Can A Body Do?
21:30 / ACUD STUDIO
Selection #2
Coming Of Ages
19:30 - 21:00 / ACUD GALLERY
Occulto presents
Glaring Sounds
Marta De Pascalis & Filippo Vogliazzo
Installation
Fri 23
17:00 / ACUD STUDIO
Selection #3
Detritus
18:30 / ACUD STUDIO
Selection #4
A Home Is A Hallway
20:00 / ACUD KINO
Special Programme
Focus
Paolo Gioli,
Claudine Eizykman
Analog Screening
19:30 - 21:00 / ACUD GALLERY
Occulto presents
Glaring Sounds
Marta De Pascalis & Filippo Vogliazzo
Installation
Sat 24
17:00 / ACUD STUDIO
Selection #5
Memory Palace
18:30 / ACUD STUDIO
Selection #6
Hidden Voices
20:00 / ACUD KINO
Special Programme
Focus
Paolo Gioli,
Claudine Eizykman
Analog Screening
19:30 - 21:00 / ACUD GALLERY
Occulto presents
Glaring Sounds
Marta De Pascalis & Filippo Vogliazzo
Installation
Sun 25
16:30 / ACUD STUDIO
Selection #7 The Places We Go,
The Ways That We Fall Apart
18:00 / ACUD STUDIO
Selection #8
The World Of Breathing
20:00 / ACUD KINO
Selection #9
Terrestrial Mechanics
21:30 / ACUD KINO
Selection #10
Visible Limits
19:30 - 21:00 / ACUD GALLERY
Occulto presents
Glaring Sounds
Marta De Pascalis & Filippo Vogliazzo
Installation